Wildlife

At night projections from moving cars are shone on the buildings downtown. Each car projects a video of a wild animal. The animal’s movements are programmed to correspond to the speed of the car: as the car moves, the animal runs along it speeding up and slowing down with the car, as the car stops, the animal stops also. The framerate of the movie corresponds to the speed of the wheel rotation, picked up by a sensor. If the presence of a moving object (such as another car or pedestrian) is detected with proximity sensors, its animal “avatar” appears in the projection.
For the ZeroOne ISEA2006 I will be using one vehicle with a projection of a tiger (additional animals will appear in the projection as reflections of passing vehicles and pedestrians).
Projection disappears and flickers as it is supported by the architecture. The city itself is an active partner in creating this alter ego.
We are elevated from the everyday reality through this element of fantasy into a world with more dimensions, possibilities and perhaps beauty.

created by Karolina Sobecka

Cybermind

Cybermind is an Internet mailing list, originally founded in 1994 to discuss the issues and problems of living online. It proved exceptionally fertile and is still going strong thirteen years later.

This book is an ethnographic investigation which follows Cybermind members in their daily lives on the List, and explores the ways they look at the world, argue, relate online life to offline life, use gender, and build community. Perhaps the most comprehensive history of an Internet group ever published, it includes detailed analyses using List members’ own words and commentary, and develops a unique theory of the relationship between culture, the problems of communication, and the ongoing processes of categorisation. Living on Cybermind illustrates how behaviour is affected by the organisation of communication, and how people deal with the paradoxes involved in resolving ambiguity and truth in a situation in which presence is always on the verge of slipping away.

artists as inventors

Using both historical and contemporary examples, this publication traces the complex relationships among art, technology and science, focusing on technological and artistic media from the nineteenth century to the present day.